Creator
I began my artistic journey as a performer and have now shifted to the role of director/facilitator. Although, I would say that creating and storytelling best describe what I do.
I have held many roles on a variety of projects – clown, curator, director, deviser, creator, writer, performer, actor, and producer.
In all the theatre projects that I embark on I attempt to bring my full-self to the work and invite my collaborators to do the same. Asking: what are our lived, cultural, and ancestral experiences? I offer a uniquely and ever evolving decolonizing practice to my role as a creator.
Director | Facilitator | Outside-Eye
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365 Days/365 Plays by Susan Lori Parks
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Iphigenia 2.0 by Charles Mee
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Weal Thyman The Third co-created by Jesse Ardern, Philip Geller, and Emily Howard
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The Skriker by Caryl Churchill
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Doll and Oats by Connor Suart and Alex Cherovsky
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Billy (les jours de hurlement) by Fabien Cloutier
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Moplip Theatre
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Doll House Adapted by Beau Coleman
Performer | Deviser
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Slight of Mind by Beth Graham
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Born Again Crow by Caleigh Crow
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Exposing the Mould
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Hangwoman collectively devised
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The Orange Girls
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The Listening Room by Michaela Jeffery
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Bright Burning by Colleen Murphy
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The Government Inspector by Nikolai Gogol
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God's Ear by Jenny Schwartz
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The Darling Family by Linda Griffiths
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All Dressed devised by the UofA BFA Class of 2018